Blog

If this doesn’t blow your heads off then Nothing can, Ustad Miyan Shaukat Hussain Khan (on Tabla) .. is from same family of Diddar Hussain (Punjab Gharana) and was regarded one of the best Tabla players of his era..

The following event took place on of the Barsi’s of NFAK’s father Ustad Fateh Ali Khan ( NFAK loved him more than any one else and every year conducted a tribute Classical program that was attended by best Ustaads and music personalities of Pakistan and sometimes India too), You might have never seen such a powerful Nusrat before, truly raw,organic & classic. NFAK gave USTAD SHOKAT HUSSAIN a very hard time . but at last look at at how happy they are and how much they are enjoying..

Event, Time & Location: Wednesday, August 29, 2012, Cambridge Check Out All the videos in the playlist..

Doesn’t it push us to organize something similar

Mr Asim Hussain is back with another great post, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Live Concert In  Alhamra cultural complex Gaddafi stadium With Western Music, A treat of Fusion

Tracks ———————————————————— 1- Allah Hoo 2-Je Toun Rab Noun 3-Aankian Udeek Diyan 4-Kisay Da Yaar Na Wichray 5-Sanu Ik Pal Chain 6-Mera Piya Ghar 7-Dam Mast Qalandar

Here comes the video (From Asim Hussain’s Channel)

This is a guest post by our dear friend Mr Asim Hussain, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Touching Moments :- (1) Nusrat Saab discusses about his walid, and they all listen to his qawwali. (Some catching moments were lost due to camera focusing, Camera slowly focuses on Nusrat saabs while he is listening to his dad. And this changes/ hides the expression that might have caught on if nusrat saab’s was unaware of camera focusing.) (2) Nusrat saab explaining Khayal, Dhrupad (Dhurpad as he calls) and sargam gayaki to the Brook, And brook goes oh yeah its like do, le, ri…() . Then nusrat saab trying to explain that some sur can be sthayi and some can be improvised (like komal, ati komal) by singing (this is what i interpreted).. (3) When Nusrat saab, Rahat’s dad and rahat are doing riyaz. And rahat is making mistake. (4) I love Dildar Hussain. He accompanies Nusrat saab in almost every concert.

“Afreen” is a praise word for an audacious work.. Where in song NFAK praises the beauty of the beloved … .. I repeat the same words for the singer himself..

Check Out this Video… It features a Filmy - High Class NRI Wedding, and song plays in background… and see how perfectly it fits the scenes….. you may yourself say “Afreen Afreen”

Official Tribute : KISAY DA YAR - Nusrat Fateh Ali Khan Sahib Singer: Imran Amin Music Arrangements: SOHAIL HAIDER - SOHAIL KEYS Direction / Guitars : Farman Ali GWR Post: GWR STUDIO and MAQ Productions Exclusive Launch On : OXYGEN TV

Liked this tribute?

If NFAK was the thunder that entranced the world, Farrukh was the rain of melody that followed..

“Nusrat is now the symbol of the family name and its tradition. He is the prestige that has been brought to our house. His popularity and the respect he commands has immortalized our family. Nusrat is a living legend.I think of only one thing, That may Allah reward him more and more with greater honour.  Honours such as have not been received by any other artiste. We consider his honour to be ours and his unprecedented popularity to be our own. Our hearts beat for each other, we feel each other’s pain and pleasure. We may have different names and bodies but our hearts beat as one.”

These were the words of Farrukh Fateh Ali Khan when he was asked about NFAK’s unimaginable success. Farrukh was the driving soul of the party , A man with a great voice with varying texture, a prodigy of music and the greatest Harmonium player of his era , he even composed many of NFAK songs, though Nusrat always tried to credit him as the “Music Director of Ensemble”  he never took any credit… the pious soul was happy with what he had, and was forever thankful to god for being NFAK’s Brother. Farrukh was a great classical singer too, it he did many solo Jugalbandis with NFAK . He frequently used to beautify NFAK’s improvisations with his “Textured Alaap” .. very often Nusrat used to praise him in between song by nodding his head or sometimes even saying “Subhaan Allah” . He very easily used to cover the mistakes of other party members and was great at tune transitions.

Have you ever tried any of NFAK Ghazals… When it came to Ghazals NFAK thunderous voice used to become honey-soft , Sargam Improvisations used to become murkiyan ( A murki is cluster of notes that sounds like a short, subtle taan ), Repetitions of Phrases by Ensemble was replaced by NFAK’s solo repetitions full of Adayagi( Elite way of Expressing) and intense hand movements were now just limited to eyes and facial expressions… ( Though NFAK sometimes induced Sargams in Ghazals too… Cross-blending as he always did..)