[Read More]The Nusrat Ramble - Folk Roots 1993 Continued..
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Nusrat Fateh Ali Khan, Live At National Theatre Tokyo[/caption]
The following Songs were recorded during NFAK’s first visit to Tokyo in 1987. He was invited to perform at the prestigious National Theatre first for a series of performances & later at the King’s Residence, who was deeply moved by NFAK’s music. The response & respect NFAK got at Japan, moved NFAK himself, making it his favourite visiting country.
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Pierre Alain Baud[/caption]
Pierre Alain Baud is the author of NFAK Biography : Nusrat Fateh Ali Khan, le messager du qawwali (2008)..
Here is a french program about NFAK’s Legacy
The Program Features a very awesome version of “Nee Mai Jana” and “Mustt Mustt”
[audio:/nfaktop50/MUSIQUES_DU_MONDE_2_18_12_08_P-A_Baud_pour_Nusrat_Fateh_Ali_Kahn.mp3]
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Le Messenger Du Qawaali[/caption]
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Ab’ul Hasan Yamīn ud-Dīn Khusrow[/caption]
Amir Khusrow once said ’ Music is the fire that burns heart and soul.’ In the 20th century Nusrat Fateh Ali Khan was the carrier of that fire
Amir Khusrow was not just the inventor of Many forms of music including Qawwali, but also a true philosopher and one of the greatest poets ever. NFAK started his musical journey in 1975 with an Amir Khusro’s ghazal in Jashn-e-bahara festival pakistan. Many great Pakistani singers heard NFAK there and showed lot of appreciation and love, which was the biggest motivation point for him ever, he was also given 500 rupees by a singer which used to be a great deal of money in those days. NFAK’s performance at Amir Khusro’s 700th anniversary was nothing less than special, it was this day when he was titled " Khusrau- e- Sani" meaning Equivalent to Khusrow . He later went on to sing many of Khusro’s poems with great compositions making them a forever saga. Though NFAK is forever in-debt to Khusrow for his poems and invention of Qawwali music, Khusrow himself remains in-debt to NFAK for keeping his poems alive for ever. What follows are some great NFAK-Khusrow tracks
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NFAK Performing At 700th Anniversary Of Amir Khusraow[/caption]
A few Nusrat-Khusrow Tracks:
1. Man Kunto Maula (Tokyo,1987)
[audio:http://nusratonline.com/nfaktop50/khusro/01%20-%20Man%20Kunto%20Maula-0001.mp3]
[Read More]Courtesy: NPR
[audio:http://nusratonline.com/wp-content/uploads/2013/01/nusrat-voice-of-pakistan.mp3] Click Here To Download
[Read More]Nusrat Fateh Ali Khan helped spread Qawwali, a form of Sufi devotional music, around the world.
JIM WASHBURN | THE TIMES
Unlike many popular singers who have wildly animated styles, Nusrat Fateh Ali Khan performs seated, as implacably planted on the stage floor as a bean-bag chair. But though he may be rooted to the spot physically, the Pakistani singer’s voice launches into incredible, propulsive flights of melismatic abandon as he strains to embody the content of his songs, and his hands and arms often gesticulate and fly with the emotion of his singing.
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It was a late Friday afternoon in 1990 when I got a call at the Los Angeles Times office inviting me to see a show by Nusrat Fateh Ali Khan that evening. The qawwali master was performing in, of all places, a conference room at the LAX Airport Hilton, headlining a benefit to help build a cancer hospital in Lahore, Pakistan, hosted by that nation’s cricket hero Imran Khan.
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