An Awesome BBC Program Exploring  the Legacy & Influence of Nusrat Fateh Ali Khan

Screenshot:

Link for Part 1 of this Series: Click Here Link for Part 2 of this Series: Click Here

1. Man Kunto Maula (Awesome Improvisations ) 01 - Man Kunto Maula-0001.mp3

2. Ho Karam Ki Nazar 02 - Ho Karam Ki Nazar-0001.mp3

3. Nee Mai Jana Jogi De Naal 03 - Ney Mein Jana Jogi De Naal-0001.mp3

4. Dama Dam Mast Qalandar 04 - Dhamadham Mast Qalander-0001.mp3

5. NIt Khair Manga  05 - Nit Khair Mangan Sohnia Main Teri-0001.mp3

TV Recordings ( From Some News Channel)

Here are a few HD recordings of NFAK.. I am sure this is just a start, You will see a lot of High Definition Nusrat Fireworks soon..

A few recording from Our Channel:

The Epic 68 minutes Yeh Jo Halka Halka Suroor Hai Performance in 720p

and now some BBC Recordings:-

Nusrat Fateh Ali Khan Allah Hoo Allah Hoo, Live At BBC Pebble Mill ,Birmingham 1986

A few Awesome uploads by Balraj Jittla (1080p)

[caption id=“attachment_1271” align=“alignleft” width=“193”] Aah, Nusrat Fateh Ali Khan[/caption]

AAH- Nusrat Fateh Ali Khan was a Tribute programme released right after death of NFAK in 1997 as a 2-set Audio CD. The program Featured a compilation of NFAK songs, specially the remixed & hip-hip recordings famous in Pakistan that time. It also featured a narration of NFAK’s biography and legacy in between the songs. One of the good compilation programs indeed.

[caption id=“attachment_1203” align=“alignleft” width=“300”] Malkit Singh - The Nusrat Fateh Ali Khan Fan[/caption]

We all know and love Malkit Singh for  the songs “Gur Nalo Ishq Mita”, “Tootak Tootak Tootiyan”, “Kurri Garam Jayee”, “Dekh li vilyait”, as well as “Chal Hun,” and “Jind Mahi” from the blockbuster Bend It Like Beckham film soundtrack.

Malkit Sing was obsessed with NFAK from late 80’s but could never get a chance to see the man himself. He kept asking people around him so make it possible as soon as possible, and the big day came as a surprise. It was a Sunday afternoon in early 1990 when he got a call from Mohammad Ayyub from Oriental star Agency for a meeting. When Malkit reached there , he was surprised, it was NFAK sitting there waiting for him…. What happened next..

If this doesn’t blow your heads off then Nothing can, Ustad Miyan Shaukat Hussain Khan (on Tabla) .. is from same family of Diddar Hussain (Punjab Gharana) and was regarded one of the best Tabla players of his era..

The following event took place on of the Barsi’s of NFAK’s father Ustad Fateh Ali Khan ( NFAK loved him more than any one else and every year conducted a tribute Classical program that was attended by best Ustaads and music personalities of Pakistan and sometimes India too), You might have never seen such a powerful Nusrat before, truly raw,organic & classic. NFAK gave USTAD SHOKAT HUSSAIN a very hard time . but at last look at at how happy they are and how much they are enjoying..

Mr Asim Hussain is back with another great post, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Live Concert In  Alhamra cultural complex Gaddafi stadium With Western Music, A treat of Fusion

Tracks ———————————————————— 1- Allah Hoo 2-Je Toun Rab Noun 3-Aankian Udeek Diyan 4-Kisay Da Yaar Na Wichray 5-Sanu Ik Pal Chain 6-Mera Piya Ghar 7-Dam Mast Qalandar

Here comes the video (From Asim Hussain’s Channel)

This is a guest post by our dear friend Mr Asim Hussain, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Touching Moments :- (1) Nusrat Saab discusses about his walid, and they all listen to his qawwali. (Some catching moments were lost due to camera focusing, Camera slowly focuses on Nusrat saabs while he is listening to his dad. And this changes/ hides the expression that might have caught on if nusrat saab’s was unaware of camera focusing.) (2) Nusrat saab explaining Khayal, Dhrupad (Dhurpad as he calls) and sargam gayaki to the Brook, And brook goes oh yeah its like do, le, ri…() . Then nusrat saab trying to explain that some sur can be sthayi and some can be improvised (like komal, ati komal) by singing (this is what i interpreted).. (3) When Nusrat saab, Rahat’s dad and rahat are doing riyaz. And rahat is making mistake. (4) I love Dildar Hussain. He accompanies Nusrat saab in almost every concert.

Have you ever tried any of NFAK Ghazals… When it came to Ghazals NFAK thunderous voice used to become honey-soft , Sargam Improvisations used to become murkiyan ( A murki is cluster of notes that sounds like a short, subtle taan ), Repetitions of Phrases by Ensemble was replaced by NFAK’s solo repetitions full of Adayagi( Elite way of Expressing) and intense hand movements were now just limited to eyes and facial expressions… ( Though NFAK sometimes induced Sargams in Ghazals too… Cross-blending as he always did..)