Raj and Pablo sit in for Tommy Sandhu and speak to Bally Sagoo, who remixed some of Nusrat’s greats.
Ray Khan sits in for Rupal and invites Malkit Singh to talk about his experiences of meeting the Ustad, and he’ll be performing a couple of his favourite Qawwali’s live in the studio.
[Read More]This is a guest post by our dear friend Mr Asim Hussain, Doft forget to check his website at http:nusratfatehalikhan.cu.cc
Touching Moments :- (1) Nusrat Saab discusses about his walid, and they all listen to his qawwali. (Some catching moments were lost due to camera focusing, Camera slowly focuses on Nusrat saabs while he is listening to his dad. And this changes/ hides the expression that might have caught on if nusrat saab’s was unaware of camera focusing.) (2) Nusrat saab explaining Khayal, Dhrupad (Dhurpad as he calls) and sargam gayaki to the Brook, And brook goes oh yeah its like do, le, ri…() . Then nusrat saab trying to explain that some sur can be sthayi and some can be improvised (like komal, ati komal) by singing (this is what i interpreted).. (3) When Nusrat saab, Rahat’s dad and rahat are doing riyaz. And rahat is making mistake. (4) I love Dildar Hussain. He accompanies Nusrat saab in almost every concert.
[Read More]By: o. Sano ( NFAK’s Fan from USA)
Often i get asked…what was the best concert you have ever seen. In fact.i just got asked that recently and i said the same thing i say everytime, “i have many best concerts” yet i always return to one which is when i saw nusrat fateh ali khan perform at the university of washington. to this day my mind is completely blown away by the grace, the power and pureness of his music. i recall my friend hParker telling me about his concert and how tickets were on sale at wall of sound record store…we left the spot we were standing at and purchased them immediately. it was like yesterday i was looking at the tickets and amazed i was going to be able to see such an amazing artist - little did i know i was going to see something much bigger than i anticipated.
[Read More]Paying tribute to one of the world’s greatest vocalists, Brooklyn Qawwali Party formed to honor the legendary Nusrat Fateh Ali Khan, reworking his thunderous songs for an eclectic, eleven-piece orchestra comprised of groundbreaking jazz musicians. Funky, smart, and loving, BQP captures the joyful spirit of this Pakistani folk music in a unique instrumental blend of jazz and Qawwali. With five horns, guitar, bass, harmonium, and three percussionists, this band’s buoyant rhythm will be sure to get you on your feet and clapping.
The ensemble includes: Tony Barba - tenor saxophone Loren Stillman - alto saxophone Ben Holmes - trumpet Ryan Keberle - trombone Brian Drye - trombone Robert Jost - French Horn Noah Jarrett - acoustic bass Mike Gamble - electric guitar Kris Davis - harmonium Conor Elmes - percussion Brook Martinez - drums
Click Here To Listen BPQ best The Extended Biography
A singer does not acquire the nickname “The Voice From Heaven” for no good reason. And anyone that has ever heard Nusrat Fateh Ali Khan knows this moniker to be fitting. Yet Nusrat was more than a singer; he was an ambassador of Sufi/Islamic culture and art, as well as the modern seed of a seven-hundred-year-old lineage of qawwali singers. In his all-too-brief life, he transformed the folk music of Pakistan into something ready for – some would say craved by – global audiences
[Read More]Ustad Nusrat Fateh Ali Khan is more than just a great musician and sufi singer for percussionist Brook Martinez. He is the spirit that binds the 11 members of his all Caucasian band, the Brooklyn Qawwali Party, founded in 2003, which performs jazz to Nusrat’s music.
Growing up with hip-hop, sufi music did not feature in Martinez’s teenage world. Then, one evening, he saw Ustad Nusrat Fateh Ali Khan on a VH1 Awards ceremony. “I heard Ustad Nusrat Fateh Ali Khan for the first time then and my first reaction was ‘who is this large Pakistani guy’? That performance completely bowled me over.”
[Read More]
