Nusart Fateh Ali Khan – Live At National Theatre Tokyo, 1987 Part 3

Link for Part 1 of this Series: Click Here Link for Part 2 of this Series: Click Here

1. Man Kunto Maula (Awesome Improvisations ) 01 - Man Kunto Maula-0001.mp3

2. Ho Karam Ki Nazar 02 - Ho Karam Ki Nazar-0001.mp3

3. Nee Mai Jana Jogi De Naal 03 - Ney Mein Jana Jogi De Naal-0001.mp3

4. Dama Dam Mast Qalandar 04 - Dhamadham Mast Qalander-0001.mp3

5. NIt Khair Manga  05 - Nit Khair Mangan Sohnia Main Teri-0001.mp3

TV Recordings ( From Some News Channel)

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Nusrat Fateh Ali Khan Vs Ustad Miyan Shaukat Hussain Khan

If this doesn’t blow your heads off then Nothing can, Ustad Miyan Shaukat Hussain Khan (on Tabla) .. is from same family of Diddar Hussain (Punjab Gharana) and was regarded one of the best Tabla players of his era..

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The following event took place on of the Barsi’s of NFAK’s father Ustad Fateh Ali Khan ( NFAK loved him more than any one else and every year conducted a tribute Classical program that was attended by best Ustaads and music personalities of Pakistan and sometimes India too), You might have never seen such a powerful Nusrat before, truly raw,organic & classic. NFAK gave USTAD SHOKAT HUSSAIN a very hard time . but at last look at at how happy they are and how much they are enjoying..

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Eid Special - Live Concert In Alhamra cultural complex Gaddafi stadium, Lahore With Western Music

Mr Asim Hussain is back with another great post, Doft forget to check his website at http:nusratfatehalikhan.cu.cc

Live Concert In  Alhamra cultural complex Gaddafi stadium With Western Music, A treat of Fusion

Tracks ———————————————————— 1- Allah Hoo 2-Je Toun Rab Noun 3-Aankian Udeek Diyan 4-Kisay Da Yaar Na Wichray 5-Sanu Ik Pal Chain 6-Mera Piya Ghar 7-Dam Mast Qalandar

Here comes the video (From Asim Hussain’s Channel)

Farrukh Fateh Ali Khan -The Man Behind the Scenes

If NFAK was the thunder that entranced the world, Farrukh was the rain of melody that followed..

“Nusrat is now the symbol of the family name and its tradition. He is the prestige that has been brought to our house. His popularity and the respect he commands has immortalized our family. Nusrat is a living legend.I think of only one thing, That may Allah reward him more and more with greater honour.  Honours such as have not been received by any other artiste. We consider his honour to be ours and his unprecedented popularity to be our own. Our hearts beat for each other, we feel each other’s pain and pleasure. We may have different names and bodies but our hearts beat as one.”

These were the words of Farrukh Fateh Ali Khan when he was asked about NFAK’s unimaginable success. Farrukh was the driving soul of the party , A man with a great voice with varying texture, a prodigy of music and the greatest Harmonium player of his era , he even composed many of NFAK songs, though Nusrat always tried to credit him as the “Music Director of Ensemble”  he never took any credit… the pious soul was happy with what he had, and was forever thankful to god for being NFAK’s Brother. Farrukh was a great classical singer too, it he did many solo Jugalbandis with NFAK . He frequently used to beautify NFAK’s improvisations with his “Textured Alaap” .. very often Nusrat used to praise him in between song by nodding his head or sometimes even saying “Subhaan Allah” . He very easily used to cover the mistakes of other party members and was great at tune transitions.

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The Emperor Of Qawwali & Prodigy Of Ghazals

Have you ever tried any of NFAK Ghazals… When it came to Ghazals NFAK thunderous voice used to become honey-soft , Sargam Improvisations used to become murkiyan ( A murki is cluster of notes that sounds like a short, subtle taan ), Repetitions of Phrases by Ensemble was replaced by NFAK’s solo repetitions full of Adayagi( Elite way of Expressing) and intense hand movements were now just limited to eyes and facial expressions… ( Though NFAK sometimes induced Sargams in Ghazals too… Cross-blending as he always did..)

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Overnight Performances At Data Darbar, The Roots of Qawwali

 Data Darbar Complex , The Roots Of qawwali

Data Darbar Complex , The Roots Of qawwali

Data Durbar( or Darbar) is the shrine of great Sufi Saint, Sufi saint, Abul Hassan Ali Hajvery (more commonly known as Daata Ganj Baksh, meaning the master who bestows treasures). It is one of the most important and oldest Sufi Shrines of World.Data Darbar is also viewed as one of the home grounds of traditional Qawwali. Till date , every Thursday there is a Qawwali performance at the shrine which starts at 3pm and continues throughout the evening. Data Darbar holds special significance in Nusrat’s Life, his performances here were the one that established him as a Great Qawwal in his native Pakistan and shut those down who accused NFAK of westernizing Qawwali, devotees present during NFAK’s  yearly performances on Urs in Data Darbar Complex are still found describing it as unmatchable and divine. When NFAK performed here first time, story is that Other Qawwals scheduled to perform after NFAK didn’t even got a chance.. why? You obviously know that…

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