[Read More]The Nusrat Ramble - Folk Roots 1993
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Nusrat Fateh Ali Khan, Live At National Theatre Tokyo[/caption]
The following Songs were recorded during NFAK’s first visit to Tokyo in 1987. He was invited to perform at the prestigious National Theatre first for a series of performances & later at the King’s Residence, who was deeply moved by NFAK’s music. The response & respect NFAK got at Japan, moved NFAK himself, making it his favourite visiting country.
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Pierre Alain Baud[/caption]
Pierre Alain Baud is the author of NFAK Biography : Nusrat Fateh Ali Khan, le messager du qawwali (2008)..
Here is a french program about NFAK’s Legacy
The Program Features a very awesome version of “Nee Mai Jana” and “Mustt Mustt”
[audio:/nfaktop50/MUSIQUES_DU_MONDE_2_18_12_08_P-A_Baud_pour_Nusrat_Fateh_Ali_Kahn.mp3]
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Le Messenger Du Qawaali[/caption]
by Jon Garelick ![“NusratAfro-pop enthusiasts boogie to Salif Keita, Kanda Bongo Man, Youssou N’Dour, and Angélique Kidjo. Proud Celts have Clannad, Altan, and the Chieftains. Brazilian pop fanatics worship Milton Nascimento. But in Alternative Nation, the world-music man of the moment is Nusrat Fateh Ali Khan. The one-sheet from his publicist is an alterna-rock wet dream. Peter Gabriel, Trent Reznor, and Eddie Vedder have all worked with him. Joan Osborne wants to study with him. Jeff Buckley has interviewed him for Interview, and techno brats are vying for the remix rights. And the Nusrat bonanza continues, with several new albums and an appearance this Sunday, April 28, on VH-1 (9 p.m.) as part of the VH-1 Honors tribute to the Witness human-rights organization.
[Read More]Courtesy: NPR
[audio:http://nusratonline.com/wp-content/uploads/2013/01/nusrat-voice-of-pakistan.mp3] Click Here To Download
[Read More]Nusrat Fateh Ali Khan helped spread Qawwali, a form of Sufi devotional music, around the world.
JIM WASHBURN | THE TIMES
Unlike many popular singers who have wildly animated styles, Nusrat Fateh Ali Khan performs seated, as implacably planted on the stage floor as a bean-bag chair. But though he may be rooted to the spot physically, the Pakistani singer’s voice launches into incredible, propulsive flights of melismatic abandon as he strains to embody the content of his songs, and his hands and arms often gesticulate and fly with the emotion of his singing.
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